program - oboe
Pre-selection by audio file
a) Alessandro Besozzi
Sonata D major for oboe and Basso continuo
Edition Schott (ANT 15)
b) from:
Heinz Holliger
Sonata for oboe solo
1st movement: Präludium and 2nd movement: Capriccio
Edition Schott
First round
(about 20 minutes including entrance and exit.)
a) Two Etudes of free choice:
Gilles Silvestrini
Six études
Édition hautbois
or
Cinq Étude Russes
Édition Delatour
or
Six Études Pittoresques
Édition Delatour
b) One of the following compositions:
Clara Schumann
Drei Romanzen für Oboe und Klavier op. 22
Edition Breitkopf
or
Robert Schumann
Drei Romanzen für Oboe und Klavier op. 94
G. Henle Verlag
Second round
(about 30-35 minutes including entrance and exit.)
a) One of the following compositions:
Christian Frederik Barth
Sonata Brillant in B flat major for oboe and piano
Edition Schott
or
Gustav Schreck
Sonata for oboe and piano op. 13
Zimmermann Frankfurt (ZM 2758)
b) One of the following compositions:
Hans Gál
Sonata for oboe and piano op. 85
Edition Schott (OBB 40)
or
Antal Doráti
Duo Concertante for oboe and piano
Boosey & Hawkes
or
Nikos Skalkottas
Concertino for oboe solo and Klavier
Margun Music
c) Commissioned work of the Markneukirchen International Instrumental Competition:
Bernd Franke
Point of no return for oboe solo
Edition Peters (expected to be available in November 2023)
funded by Kulturstiftung des Freistaates Sachsen. This measure is co-financed by tax funds on the basis of the budget passed by the Saxon State Parliament.
Commissioned by Buffet Crampon
Third round
(about 35-40 minutes incl. entrance and exit)
a) One of the following concertos:
François Couperin
Concerts Royaux
No. 7 or No. 11 or No. 14
Facsimile Édition Fuzeau
oder
Johann Sebastian Bach
Sonata in g minor for oboe (flute) solo BWV 1030
Urtext
or
Carl Philipp Emanuel Bach
Sonata g minor for oboe and Basso continuo Wq 135
Facsimile or Amadeus
b) One of the following compositions:
from:
Klement Slavický
Suite for oboe and piano
1st and 2nd movement
Bärenreiter (H 3723)
or
from:
Charles Koechlin
Sonata for oboe and piano op. 58
1st and 2nd movement
Max Eschig (ME 00840100)
c) One of the following compositions:
Rakhat-Bi Abdyssagin
Shimmering for oboe solo
Verlag Neue Musik
or
Violeta Dinescu
Cime lointaine for oboe solo
Bote & Bock
or
Toshio Hosokawa
Three Essays for oboe solo
Schott music
Final round with orchestra
Richard Strauss
Concerto D major for oboe and small orchestra
G. Henle (HN 1248)
General
The works can, but do not have to be performed from memory.
Including the preselection, a total of eleven works will be performed.
The selected programme and the given editions are binding. Later changes will not be accepted.
It is up to the candidate to personally determine the order of his/her performances within a round. If the required programme is not fulfilled or the presentation is interrupted, this will result in disqualification.
The audio-file for the pre-selection has to be recorded personally and may not be edited or processed and older than one year.
Please note that for legal reasons (copyright law) photocopied music may only be used at the participant's own risk. All compositions included in this programme can be obtained from music dealers. As a matter of principle, the International Instrumental Competition does not hand out any performance materials.
program - trombone
Pre-selection by audio file
a) from:
Lars-Erik Larsson
Concertino for trombone and string orchestra op. 45 No. 7
1st movement: Preludium, Allegro pomposo
Carl Gehrmans Musikförlag
b) Malcolm Arnold
Fantasy for Trombone op. 101
Faber Music
First round
(about 20 minutes including entrance and exit)
a) One of the following compositions:
Joseph Jongen
Aria et Polonaise for trombone and piano op. 128
Editions Andel
or
Eugéne Bozza
Ballade for trombone and piano
Alphonse Leduc
or
Carlos Salzédo
Pièce Concertante op. 27
Alphonse Leduc
b) One of the following compositions:
Enrique Crespo
Improvisation No. 1 for trombone solo
Lydke Musikverlag
or
Jean François Michel
Hommage á Jean Tinguely for trombone solo
Editions Marc Reift
or
Folke Rabe
Basta for trombone solo
Edition Reimers
Second round
(about 30-35 minutes including entrance and exit)
a) commissioned work of the Markneukirchen International Instrumental Competition
Nils Wogram
Posaunenmangel for trombone solo
Köbl-Edition (expected to be available in mid October 2023)
Commissioned by A.Courtois and B&S - brands of Buffet Crampon Wind Instruments
b) One of the following compositions:
Paul Hindemith
Sonata for trombone and piano
Schott Music
or
Frank Martin
Ballade pour Trombone et Piano
Universal Edition
or
Bernhard Krol
Capriccio da Camera for trombone and 7 instruments (trombone and piano) op. 35
N. Simrock
c) One of the following compositions:
Michael Haydn
Larghetto (Perger No. 34)
Doblinger
or
Michael Haydn
Andantino (from Divertimento in D, published as Concerto for Alto Trombone)
Modern Editions
or
Anonymous
Sonata Trombono & Basso
Ensemble Publications
Third round
(about 35-40 minutes incl. entrance and exit)
a) Axel Ruoff
Sonata for trombone and piano (2021)
Edition Svitzer Kopenhagen
b) One of the following compositions:
Daniel Schnyder
Sonata for trombone and piano
Editions Marc Reift EMR 2041
or
Daniel Schnyder
Rhythm in blue for trombone and piano
Danymu Publishing New York
or
Richard Peaslee
Arrows of time for trombone and piano
Margun Music MM116
c) One of the following compositions:
Launy Grøndahl
Concerto for trombone and orchestra
Edition-S music-sound-art or Dan Fog Musikforlag
or
Axel Jørgensen
Suite for trombone and piano op. 22
Wilhelm Hansen Musikforlag
Final round with orchestra
Eugen Reiche
Concerto No. 2 A major for trombone and orchestra
Zimmermann Frankfurt
General
The works can, but do not have to be performed from memory.
Including the preselection, a total of eleven works will be performed.
The selected programme and the given editions are binding. Later changes will not be accepted.
It is up to the candidate to personally determine the order of his/her performances within a round. If the required programme is not fulfilled or the presentation is interrupted, this will result in disqualification.
The audio-file for the pre-selection has to be recorded personally and may not be edited or processed and older than one year.
Please note that for legal reasons (copyright law) photocopied music may only be used at the participant's own risk. All compositions included in this programme can be obtained from music dealers. As a matter of principle, the International Instrumental Competition does not hand out any performance materials.
CONCLUDING CLAUSE
In case of discrepancies the German text shall be binding.